Selected Works

Selected Works by Studio Lowsheen presents a curated selection of ancient, antique and contemporary works available through trusted galleries, dealers, artists, and representatives

The works are selected through Lowsheen’s wider editorial focus on material presence, architectural relevance, historical value, and visual restraint. Rather than functioning as a marketplace, this page is arranged as a considered viewing environment, allowing each object to be encountered with space, context, and direction

Lowsheen does not transact directly or replace the role of the gallery. Enquiries and acquisitions remain with the appropriate representative, with each individual work page directing interest back to its source. The following selection is intended as a considered point of access for clients, architects, designers, and collectors

Helmeted Athena — 1st - 2nd century AD

Galerie Chenel

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A serene gaze and crested form balance martial symbolism with classical restraint

 

Babliano Chaise Lounge — 2026

Brent Lee

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A blackened bronze chaise lounge defining a low angular profile and controlled mass, balancing architectural weight with a restrained sense of movement

 
 

V1LC22 — 2025

Martin Laforêt

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A reinforced concrete chair defined by a monumental ribbed plane and precise angular support, bringing the language of architecture into the scale of the body

 

Torse de Méditerranée — 1905

Aristide Maillol

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Bronze torso with an ancient green patina, its fragmented classical form carrying a quiet balance of sensual volume

 
 

Les belles idées reçues - Bruxelles City acte 7 — 2022

Angel Vergara

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Oil on canvas where architectural lines, gestural marks, and layered colour form a charged surface between abstraction, memory, and spatial construction

 
 

Head of a Deity — ca. 1182 - 1215

Axel Vervoordt Gallery

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A Bayon-style sandstone head from Cambodia, its fractured surface and serene expression carrying quiet gravity

 

Articulation01 Desk — 2025

Shaha Raphael

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Volcanic stone desk defined by broad horizontal planes and irregular supports, where functional form takes on the weight and tension of a sculptural object

 
 

DC2013B Armchair — 2020

Vincenzo De Cotiis

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Upholstered volume and hand-painted structural frame, where softened geometry, aged surfaces, and material contrast give functional form a sculptural weight

 

Presence — 1969 - 1972

J.B. Blunk

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Eucalyptus sculpture with a sentinel-like presence, where softened cuts, exposed grain, and fissures give the wood a monumental force

 
 

Aeolian Landforms (Akjoujt) — 2025

Loris Cecchini

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Deep red relief work where rippled surface forms translate natural movement into a tactile field of shadow, rhythm, and sculptural depth

 
 

Statue of a Woman — 2nd century AD

Galerie Chenel

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Roman marble figure defined by cascading drapery and restrained classical proportion, where fragmented form and surface wear carry the quiet authority of antiquity

 

Vault Vessel XVI — 2025

Tom Palmer

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A translucent English alabaster vessel shaped through angular folds and softened planes, revealing the stone’s brown inclusions as light moves through its sculptural form

 
 

NY1 Coffee Table — 2020

Francesco Balzano

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Defined by a circular monolithic form and dense veining, where weight, proportion, and surface movement create a quiet architectural presence

 

Croisette V1 Armchair — 2025

Simone Fanciullacci

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Patinated cast bronze armchair with a winged back and softened upholstered seat, balancing slender structural lines with a sculptural sense of ease

 
 
 

Shadow of Memory 058 - Screen — 2008

Norio Imai

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A white relief work defined by layered planes and softened edges, where shadow, proportion, and restraint create a quiet architectural surface

 
 

Untitled — 2024

Bosco Sodi

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Saturated red pigment and cracked surface texture give pure geometry a raw, tactile intensity

 

Morphe Coffee Table — 2024

Abel Cárcamo

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Cárcamo investigates how this seemingly immovable, unchangeable material can adapt to new forms and uses

 
 

Open Ward — 2026

Antony Gormley

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Concrete figure assembled from stacked rectilinear volumes, where human scale is translated into architecture, void, and quiet structural tension

 

Triade Chair Silver — 2006

Wendell Castle

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Silver-leaf chair with a rounded, triadic form, where polished volume and soft futurist curves turn functional seating into a sculptural object

 
 

Untitled — 2012

Michel Mouffe

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Soft colour, shallow relief, and restrained geometry create a quiet tension between painting, object, and wall