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Rarity
Unique
Signature
Hand-signed by artist
Certificate of Authenticity
Included (one issued by gallery; one issued by authorized authenticating body)
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2023
Michel Mouffe : Tous les matins du monde, Galerie La Patinoire Royale Bach
2020
Welt und Nebel, GALERIE ALBER
Michel Mouffe
Belgian, b. 1957
Michel Mouffe (b.1957) lives and works in Brussels. He exhibits paintings since 1983 in Belgium, France, Germany, Spain, the United States and in Asia (Korea, Japan, Taiwan)
For Michel Mouffe, painting is an activity that involves all of man's basic functions. He reinvents painting, exploring its foundations and its limits. Mouffe's works are painted paradoxes. They linger between presence and absence, inside and outside. They are built up out of many thin layers of glaze to create an almost immaterial surface which can be described as a skin, at once a boundary and an in-between. Mouffe renounces to the flatness of a surface, however without abandoning the idea of a painting ending up against the wall. Subtle protuberances come forth from the inside of the canvas. The skin is scarred and seems to be lived in, its pores are erotic thresholds between the familiarity of the Self and the strange beauty of the uncanny Other
In the paintings of Michel Mouffe the battle between line and colour has been put aside and line and colour are finally reconciled and work hand in hand to give visual expression to the abstract thoughts and ideals of the artist.
The lines break the monochrome surfaces in much the same way that Lucio Fontana's cuts marred the surfaces of his own works. In both cases, however, the lines were not meant to be regarded as wounds, but rather as tools that open up and thus liberate the paintings. The lines are rather scars, a remnant of the wound, but also a sure sign that the process of healing has been completed
Axel Vevoordt Gallery
Boris created the Axel Vervoordt Gallery in 2011. The gallery opened in a historic space in the centre of Antwerp with an exhibition by Günther Uecker
Boris chose to open the gallery in the same exact place where his father had mounted exhibitions for Uecker and Jef Verheyen in the 1970s. The first exhibition — and those that followed — linked this new start to the company’s long history with art and its original home in the Vlaeykensgang. This continued a path of more than 40 years of working closely with artists

